Tuesday, April 22, 2008
Tuesday, April 8, 2008
Q6 - The Monsters

This monster was actually groups of fish mutilated due to poison that was carelessly thrown away into the drains that led to the Han river. Had the scientist not done such a foolish thing, many lives would have been spared from this monster that fed on human flesh.
Another monster which everybody should know is Frankenstein: a poor inhuman creature created by a crazy scientist.

Composed of dead bodies, Frankenstein was not what we'd call a truly 'living' creature. However, my point isn't about whether Frankenstein was alive or not.
My point is that sometimes humans make monsters. Even when we scream and point at them, sometimes they are results of are mistakes.
If monsters are born by humans' fault, are humans monsters?
Q5 - Current Situations


Q4 - The Climax

Torrence had discovered Bill, Josella, their baby, Susan, Dennis, Mary, the Brent's baby, and Joyce in their home at Shirning. Now an officer in a clan that rolled by military rules, Torrence was about to force Bill and the others to be separated and to work (actually labor) for the survival of many other blind people. With harsh conditions to overcome and too many obstacles in the way, it was simply not possible to take care of so many helpless people in an environment that could hardly serve as a habitat any longer. Bill didn't like this Communist-style of politics, so he and his group make a get away during the night. The group head for the Isle of Wight, where Beadley's group are building a community without triffids.
The point where Bill fills up Torrence's vehicle tank with honey and makes his escape was a very important part of the story. It surely was the point of no return, where Bill and the other members would not be able to return to their home that sheltered them for six years, and now Torrence's lot was no more or less than mere enemies to Bill's lot. They had left everything behind and started forward for a new life in a new place where the return of humanity to the top of the food chain was being planned.
I was very pleased with this series of events. I disliked Torrence very much for his limited consideration for moral or ethical life. I personally think that he deserved to be it on the back of the head like that. I also was very satisfied and astounded by Bill's choice in this course of action. Sure, it was the right choice to not follow under Torrence's politics, but Bill's wit and cleverness in escaping the unpleasant situation by trapping Torrence and his men was unexpected. I found this scene quite a bit unhappy, too. When thought over carefully, the home that Bill had just abandoned was where he and Josella lived with Susan and the others for many years. It was also the birth place of the two babies in the group. It would be saddening to leave a home, no matter how many hardships you faced there, just because of some rude men who tried to ruin your life.
This climax was a good one, especially the fact that Bill made a choice based on what he thought was right. It was an event that showed the values of a person and the choice that we make due to those values.
Monday, April 7, 2008
Q3 - The Characters


Q2 - The Settings


Sunday, April 6, 2008
Q1 - A Significant Passage

As I stepped outside, another door farther down the passage opened. I stopped, and stood still where I was. A young man came out, leading a fair-haired girl by the hand. As she stepped over the threshold he released his grasp.
"Wait just a minute, darling," he said.
He took three or four steps on the silencing carpet. His outstretched hands found the window which ended the passage. His fingers went straight to the catch and opened it. I had a glimpse of a low-railed, ornamental balcony outside.
"What are you doing, Jimmy?" she asked.
"Just making sure," he said, stepping quickly back to her and feeling for her hand again. "Come along, darling."
She hung back.
"Jimmy-- I don't like leaving here. At least we know where we are in our own apartment. How are we going to feed? How are we going to live?"
"In the apartment, darling, we shan't feed at all--and therefore not live long. Come along, sweetheart. Don't be afraid."
"But I am, Jimmy--I am."
She clung to him, and he put one arm round her.
"We'll be all right, darling. Come along."
"But Jimmy, that's the wrong way."
"You've got it twisted around, dear. It's the right way."
"Jimmy--I'm so frightened. Let's go back."
"It's too late, darling."
By the window he paused. With one hand he felt his position very carefully. Then he put both arms around her, holding her to him.
"Too wonderful to last, perhaps," he said softly. "I love you, my sweet. I love you so very, very much."
She tilted her lips up to be kissed.
As he lifted her he turned, and stepped out of the window.
This passage comes from page 68, and it is a scene that comes out the morning Bill and Josella decide to go out to find some clothes. Josella has already left, and Bill is coming out when he sees the young couple and their fate.
After this passage, there is a brief dialogue by Bill about how he must get used to the disastrous happenings that occur around him. The young man's suicide with his loved girl was a mentally critical hit to Bill. Until now, the deaths of people were not that much of a tragedy, mostly because Bill did not see anybody in the act of dying yet. However, this passage is about a man who chooses to die with his love, and does this in a swift, subtle act without informing her about her death that was to happen. The passionate love between the two people is shown vividly in their conversation, where signs of affection can be seen without spare.
It is incomprehensible to many people about how people can choose death, or the idea about dying with somebody you love. This passage represents both cases, and I really couldn't keep my mind off it.
Choosing death is an extremely difficult decision to make, and many people don't find the courage to do so. However, sometimes people choose to commit suicide. This act is done when the people feel utterly hopeless, and when they feel like nothing in the world could help them to feel better. Death is sometimes what people see as an eternal escape from pain.
Another rare event in the modern world is to die with someone who you love. Often people do not see why anybody would which to do such an act, but it happens. The philosophy behind joint suicides is simple: it is too heartbreaking for one person to leave behind the other in death. The very desire to die in the arms of someone who you truly love is a romantic, happy ending for those who think a life without their love is too cruel. Although it is hard to comprehend, it is a true opinion of some people.
Wednesday, March 19, 2008
Monday, March 3, 2008
Q6 - The Mood

Q5 - A Different Ending
Q4 - The Climax

Personally, I think the climax is when Piggy dies.
The situation is very much like this:
Jack and two other boys of his tribe had attacked Ralph's group of boys during the middle of the night. After the attackers are gone, Ralph and Piggy quickly realize that Piggy's glasses has been taken. Ralph is outraged by this act of thievery. The next day he takes Piggy and Samneric with him to go to Jack and ask to have the glasses back. Soon Ralph and his friends are confronting a massive group of savages, each behind a painted mask, unrecognizable as the civilized boys they used to be. Ralph fights Jack, stops, and tries to convince the boys to give back the glasses. Meanwhile, Roger is learning the thrill of dropping boulders on people, very nearly killing them.
Piggy then holds out the conch, the last remaining symbol of organized society, and tries to speak. As he delivers his logical speech, the event that shreds the last pieces of humanity apart happens: Roger rolls an enormous boulder onto Piggy, thus succeeding in killing him outright. Piggy's body is soon washed away into the ocean, and the boys start to attack Ralph.
Sunday, March 2, 2008
Q3 - The Theme
Q2 - A Significant Passage
This passage is from the point where Jack hunts down his first pig while the fire has gone out, and a ship passes by...
Ralph spoke.
*"You let the fire go out."
Jack checked, vaguely irritated by this irrevelance but too happy to let it worry him.
**"We can light the fire again. You should have been with us, Ralph. We had a smashing time. The twins got knocked over--"
"We hit the pig--"
"--I fell on top--"
***"I cut the pig's throat," Jack said, proudly, and yet twitched as he said it. "Can I borrow yours, Ralph, to make a nick in the hilt?"
The boys chattered and danced. The twins continued to grin.
****"There was lashings of blood," said Jack, laughing and shuddering, "you should have seen it!"
"We'll go hunting every day--"
Ralph spoak again, hoarsely. He had not moved.
*"You let the fire go out."
This repetition made Jack uneasy. He looked at the twins and then back at Ralph.
"We had to have them in the hunt," he said, "or there wouldn't have been enough for a ring."
He flushed, conscious of a fault.
**"The fire's only been out an hour or two. We can light up again--"
He noticed Ralph's scarred nakedness, and the sombre silence of all four of them. He sought, charitable in his happiness, to include them in the thing that had happened. ****His mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will on it, taken its life like a long satisfying drink.
He spread his arms wide.
****"You should have seen the blood!"
The huinters were more silent now, but at this they buzzed again. Ralph flung back his hair. One arm pointed at the empty horizon. His voice was loud and savage, and struck them into silence.
*****"There was a ship."
This passage is the conversation between Ralph and Jack after the ship disappears over the horizon along with the hope of rescue. The hunters that Jack ruled over were in charge of keeping the fire alive, but Jack took all the boys to hunt down pigs. Due to that action, the fire burned out and the ship passed by without noticing the boys at all. This causes Ralph to be angry with Jack, and for the first time the two main characters have an obvious conflict.
This part of the story is the point in the plot where the fire seems to lose its importance, thus causing the connection between the boys and civilization to become thinner. Several statements here show how the values of the boys have become.
*Ralph openly accuses the boys of what they have done, and this act shows how Ralph considers being rescued as the most important thing above all.
**Jack states that the fire has been out for only a while, and that it can be lighted once more. This is proof that Jack no longer considers being rescued as a priority. He is already losing his rational way of thinking.
***Jack proudly says that he killed the pig, but he twitches as he says so, as if it was a rather repulsive fact. This single fact is the lingering trace of Jack's reluctance of killing. This is the very last time Jack shows the civilized reaction towards slaughter.
****Jack practically enjoys how he made another living creature spill out its blood and its life. This part is where the inner savageness of a person is shown, and this scene is where Jack finally is metamorphed into the savage he becomes had in himself all along.
*****This one statement of the truth is where Ralph's anger comes from. This terrible fact is also a synbol of how the hope in everybody is crushed. From this point, the relationship between Ralph and Jack is torn down, and somehow the sommunity among the boys from then on slowly turns upside down.
I personally think this passage is interesting, because it is a turning point in the story, where a conflict shows itself, relationships are flipped over, and the hope that the boys had turns into something dark and monstrous. Also, the fire, which signifies the connection between the boys and the civilization of the world, slowly loses its importance. In conclusion, this passage signals the starting point of where the boys slowly lose interest in the world where they belonged and start to feel actual bloodlust.
Saturday, March 1, 2008
Q1 - The Characters
